Duration (from Athens): half day tour [5 hours] and full day tour [10 hours]
CORINTHIA
Coming
from Athens, Corinthia is the first prefecture you come to in
the Peloponnese, the first sign of warmth and excitement. The
aromas of the sea, the mountains, the harvest of grapes and
currants are all-encompassing, accompanied by the sound of bees
buzzing around the sheds where the currants are drying. Here
you’ll rediscover some old Greek myths, learn that Nemean wine
is called “Herakles blood” and that retsina is the teardrop
of a certain wood nymph. You’ll find out about gods, nereids
and mortals. Zeus and Apolo. You’ll come upon columns, sanctuaries
and ancient palaces.
THE
CANAL
The
most important attempt to pierce the Isthmus in ancient times
was made by the Emperor Nero in 67 A .D. During that year, several
thousands of workers dug away at the Isthmus for more than three
months. The vestiges of the work carried out at that time indicate
that the designers of the project had chosen the narrowest point
of the Isthmus for the purpose, following the same line as the
modern canal. The digging began either side of the canal, and
the workers were supposed to meet eventually in the middle.
Nero’s death put an end to the project. Work was only resumed
again in 1881 and completed in 1893. The canal is about 6 km
long; its width upon completion was 25 meters, and 8 meters
deep.
ANCIENT
CORINTH
The
ruins of ancient Corinth are spread out at the foot of the huge
rock of Acrocorinth. The monuments are mainly Roman; only a
few are Greek. You can trace the Long Walls which began at the
summit of Acrocorinth and descended all the way to Lechaion
(Leheo), the artificial harbour on the Corinthian Gulf. Lechaion
was the start of Lechaion road which led to the ancient agora.
This was paved with flagstones and lined with sidewalks, arcades
and shops. The area of the marketplace was filled with imposing
buildings, temples and business emporia. The Doric temple of
Apollo (6th c. BC with 1st c. AD restorations) stands on a knoll
to the north of the agora; it is the most important monument
of that period. To the northwest of the agora lie the ruins
of the 4th century BC theatre - which underwent some changes
in the Roman Odeon. The museum is in the southwest sector of
the site. It contains mosaic floors, Mycenaean and Corinthian
pottery, terra cotta sphinxes, statues of two supernatural beings,
relief plaques, the Roman head of the Goddess Tyche and small
objects of various kinds. On the north side of the building
one can see the remains of the fountain of Glauke hewn out of
the rock. Glauke, daughter of king Creon, was the reason why
Jason deserted Medea. In revenge Medea sent her as a wedding
gift a poisoned mantle which envelopped the girl in flames the
moment she put it on. In order to save herself she leapt into
the fountain which since then has borne her name.
ACROCORINTH
The
imposing mass of Acrocorinth (Acrocorinthos) rises out of the
ground at the edge of the ancient city. At the top of the pinnacle,
at an altitude of 575 metres, stood the acropolis of Corinth
during ancient and medieval times. This is the largest and oldest
fortress in the Peloponnese. The Franco-Byzantine-Venetian fortifications
(built atop the ancient walls) and Turkish additions have left
deep signs of their successive claims to supremacy. At the summit
which offers a magnificent view, there were a vast number of
shrines and temples dominated by the Temple of Aphrodite. Lower
down is the Upper Peirene Spring. Pausanias mentions that Peirene
was a woman who was transformed into a spring by the tears she
shed for her son who had been killed by Artemis.